21 年前
搜影视
认为“人生得意须尽欢”的李白(刘松仁)，不独是位诗仙，亦是位剑术名家。童年时，因父亲李客(江汉)被杀，遂寄养于叔李祥(吴桐)家中。白自少好剑术，且习得一身好功夫，本欲助明君治天下，但由于一身傲骨，不肯屈膝于人，屡次得罪高官，惹祸上身，后更被流放于不毛之地。究竟这位大诗人最终如何赢得天下人的欣赏？。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。